Somewhere I came across mention of "the Sonny Bono Copyright Extension Act", which made me wonder what that was, so I asked Google AI:
What was the Sonny Bono Copyright Extension Act in 1998?
The Sonny Bono Copyright Term Extension Act of 1998 (or CTEA), signed into law on October 27, 1998, extended U.S. copyright protection by 20 years for works, bringing the term to the author’s life plus 70 years, or 95 years for corporate "works made for hire". It aimed to align U.S. law with European standards and was often called the "Mickey Mouse Protection Act" due to intense lobbying by entertainment companies.
Key details regarding the act include:
Extension Length: It added 20 years to existing terms, extending protection to 95 years for works published before 1978 and life-plus-70 for those after.
Impact on Public Domain: It paused the entry of many works into the public domain, preventing works from 1923 and later from becoming public domain until 2019 or later.
Purpose: The act was designed to align U.S. copyright duration with the European Union and protect the economic interests of creators, heirs, and corporations.
Legal Challenge: The Supreme Court upheld the constitutionality of the CTEA in Eldred v. Ashcroft (2003).
Context: It was named for Congressman Sonny Bono, who advocated for stronger copyright protections before his death in 1998.
Tell me the story of how it came to be.
The story of the Sonny Bono Copyright Term Extension Act (CTEA) is a fascinating mix of high-stakes corporate lobbying, a tragic accident, and a push for international legal alignment.
1. The Looming "Mickey Mouse" Deadline
By the mid-1990s, the Walt Disney Company faced a major problem: its earliest Mickey Mouse cartoon, Steamboat Willie (1928), was set to enter the public domain in 2003. To prevent this, Disney spent millions lobbying Congress for an extension, earning the bill the derisive nickname "The Mickey Mouse Protection Act". Other major backers included Time Warner, Universal, and the estates of famous artists like George Gershwin.
2. Sonny Bono’s Role and Tragic Death
Representative Sonny Bono, a former pop star (of "Sonny and Cher" fame), was a passionate supporter of the bill. As a songwriter himself, he believed copyright terms should ideally last forever.
The Tribute: In January 1998, Bono died in a skiing accident.
The Renaming: To honor his advocacy, the bill (originally H.R. 2589) was renamed the Sonny Bono Copyright Term Extension Act.
Mary Bono’s Carry-over: His widow, Mary Bono, won a special election to his seat and continued his push for the legislation.
3. International Pressure
Beyond corporate interests, supporters argued for "harmonization". In 1993, the European Union had moved to a "life plus 70 years" standard. U.S. proponents, including Senator Orrin Hatch, argued that without matching this, American creators would lose millions in royalties abroad.
4. Passing Through Congress
Despite its massive impact on the public domain—effectively freezing it for 20 years—the bill met very little opposition in Washington.
The Compromise: To appease small business owners who were upset about paying music licensing fees, the Fairness in Music Licensing Act was attached, exempting smaller bars and restaurants from certain fees.
Unanimous Approval: The Act passed by voice vote in the House and unanimous consent in the Senate, showing overwhelming bipartisan support. It was signed into law by President Bill Clinton on October 27, 1998.
Would you like to know more about the legal battle that followed in the Supreme Court, or perhaps see a timeline of how copyright terms have changed over the years?
Sure.
The passage of the Sonny Bono Act sparked a major constitutional showdown in the U.S. Supreme Court, as it effectively "froze" the public domain for two decades.
The Legal Battle: Eldred v. Ashcroft (2003)
After the act passed, Eric Eldred, an internet publisher who specialized in putting out-of-print books online, sued the government. He argued that the 20-year extension violated the Constitution’s "Copyright Clause," which says copyrights must be for "limited Times".
The Argument: Eldred’s team, led by Stanford professor Lawrence Lessig, argued that if Congress could keep extending copyrights every time they were about to expire, the "limited" time would effectively become forever.
The Ruling: In a 7-2 decision, the Supreme Court upheld the law. Justice Ruth Bader Ginsburg wrote that "limited" doesn't mean "forever fixed"—it just means there has to be an end date, even if Congress moves that date.
The Dissent: Justices John Paul Stevens and Stephen Breyer famously disagreed, arguing the law served private corporate interests (like Disney’s) rather than the public's "progress of science".
Timeline of U.S. Copyright Terms
The "limited time" the Founding Fathers envisioned has grown significantly since the first laws were written:
Law Year Max Term Length
Copyright Act of 1790 1790 28 years (14 initial + 14 renewal)
Copyright Act of 1831 1831 42 years (28 initial + 14 renewal)
Copyright Act of 1909 1909 56 years (28 initial + 28 renewal)
Copyright Act of 1976 1976 Author's life + 50 years (or 75 for corps)
Sonny Bono Act (CTEA) 1998 Author's life + 70 years (or 95 for corps)
The "Public Domain Freeze"
Because of the 1998 extension, no new works entered the public domain in the U.S. for 20 years (from 1999 to 2019). This "freeze" finally thawed on January 1, 2019, when works from 1923 (like Cecil B. DeMille's The Ten Commandments) finally became free for anyone to use.
If you're interested, I can show you a list of famous characters or books that finally entered the public domain recently (like Winnie the Pooh or Mickey Mouse), or explain how Fair Use works now that these terms are so long.
Ok.
Now that the 20-year "freeze" caused by the Sonny Bono Act has finally ended, a wave of iconic characters and stories is entering the public domain. Every January 1st, known as Public Domain Day, new works become free for anyone to use, remix, or build upon.
Iconic Characters Now in the Public Domain
Mickey & Minnie Mouse (2024): Only the specific versions from the 1928 shorts Steamboat Willie and Plane Crazy are free. Later versions with red shorts and white gloves remain under copyright.
Winnie-the-Pooh (2022): A.A. Milne's original 1926 book is public domain. However, Disney still owns the rights to the red-shirted version of Pooh.
Tigger (2024): Because Tigger first appeared in the 1928 book The House at Pooh Corner, he joined the public domain two years after Pooh.
Sherlock Holmes (2023): The final stories by Arthur Conan Doyle became public, meaning the character and all his traits are now fully free.
Betty Boop & Pluto (2026): The earliest cartoon iterations of Betty Boop and Mickey's dog, Pluto, entered the public domain on January 1, 2026.
Major Books & Stories
The Great Gatsby (2021): F. Scott Fitzgerald's masterpiece is now free, leading to new film and stage adaptations.
The Maltese Falcon (2026): Dashiell Hammett’s classic noir novel became public domain in early 2026.
Nancy Drew (2026): The first four books in the series, including The Secret of the Old Clock, are now in the public domain.
The "New" Rule of Thumb
In the U.S., works published between 1923 and 1977 generally have a 95-year term. This means:
2027: Frankenstein (the 1931 film) and The Little Mermaid (original English translations) will join the public domain.
2029: The original King Kong (1933 film) is scheduled to enter.
Would you like to see a list of upcoming movies based on these newly public characters (like the recent Pooh horror films), or should we look at how trademark law (which never expires) still protects these brands?
No, switch the focus to public domain popular songs
Since the 20-year "freeze" from the Sonny Bono Act ended, some of the most famous melodies in American history have finally entered the public domain. In the U.S., it is important to distinguish between the musical composition (the written notes and lyrics) and the sound recording (the specific performance captured on tape).
Recent Major Hits (2024–2026)
The last few years have released a massive wave of jazz standards and early pop hits:
Georgia on My Mind (2026): The underlying composition by Hoagy Carmichael is now free to cover or remix.
I Got Rhythm (2026): One of the most important songs in jazz history, its "rhythm changes" chord progression is now in the public domain.
Dream a Little Dream of Me (2026): Famous for versions by Mama Cass and Ella Fitzgerald, the original 1930 composition is now public.
Singin' in the Rain (2025): The 1929 composition (long before the 1952 movie) is now free for public use.
Ain't Misbehavin' (2025): The Fats Waller classic entered the public domain just last year.
Mack the Knife (2024): The original composition from The Threepenny Opera became public in 2024.
Famous Sound Recordings (Newly Free)
Under the Music Modernization Act, sound recordings also have a rolling entry into the public domain.
1925 Recordings (2026): Specific recordings like "The St. Louis Blues" by Bessie Smith (featuring Louis Armstrong) and "Sweet Georgia Brown" by Ben Bernie are now public domain.
1924 Recordings (2025): George Gershwin's own recording of "Rhapsody in Blue" and Al Jolson's "California Here I Come" became public in 2025.
Evergreen Classics Already Public
These have been free for several years and are common in films and commercials:
Happy Birthday to You: Declared public domain in 2016 after a famous legal battle.
Take Me Out to the Ball Game (1908): Fully free to use for any sporting event or project.
Rhapsody in Blue (Composition): While the recordings entered later, the sheet music became public domain in 2020.
Would you like to know which big songs are coming up next in 2027 and 2028, or are you interested in how you can legally use these songs in your own videos or projects?
Yes to both.
As we move into 2027 and 2028, a new wave of massive cultural hits from the early 1930s will join the public domain. Because of the Sonny Bono Act’s 95-year rule for corporate works and older publications, the "Class of 1931" and "Class of 1932" are next in line.
Upcoming Hits (2027–2028)
These compositions (lyrics and melody) will become free to use on January 1st of their respective years:
Year Famous Song Compositions Entering Public Domain
2027 "Minnie the Moocher" (Cab Calloway), "As Time Goes By" (Herman Hupfeld), "Mood Indigo" (Duke Ellington), "Dream a Little Dream of Me" (1931 versions).
2028 "Night and Day" (Cole Porter), "Brother, Can You Spare a Dime?", "April in Paris", "Willow Weep for Me", "Under a Blanket of Blue".
Bonus: The original 1926 sound recording of "Heebie Jeebies" by Louis Armstrong—which popularized scat singing—will enter the public domain in 2027.
How to Legally Use These Songs
Using public domain music is a "two-key" system. To use a song in a video without a license, both the composition and the recording must be public domain.
1. The Composition vs. The Recording
The Composition (Lyrics/Sheet Music): If the song was published in 1931 or earlier, the writing is public domain as of 2027. You can legally record your own version, perform it, or hire someone to sing it for your video without paying royalties.
The Sound Recording: Most recordings of these songs (like Ray Charles' 1960 version of "Georgia on My Mind") are still copyrighted. Even if the song is public, the recording likely won't be public domain until it is 100 years old.
2. Where to Find Legal Files
If you don't want to record your own version, look for these "safe" sources:
Musopen: A library of public domain sheet music and recordings that are already cleared for use.
Internet Archive (78 RPMs): Offers thousands of original, digitized recordings from the 1920s and early 30s that are entering the public domain.
U.S. Navy/Army Bands: Since works by the U.S. government cannot be copyrighted, their recordings of public domain songs are usually free to use.
3. Avoiding "Content ID" Flags
Even if a song is public domain, automated systems like YouTube's Content ID may still flag your video if your recording sounds too much like a copyrighted version.
Tip: Always keep a digital copy of the original sheet music or a link to the PD Info database to prove the song's status if you receive a claim.
Would you like a list of royalty-free sites that offer modern versions of these classics, or do you want to see which movies from 1931-1932 (like Frankenstein or Scarface) are becoming public soon?
I don't know if you read all that, but I found it all interesting. One thing that jumped out at me was the argument that arose over if Congress just kept extending copyrights every time they were about to expire, it then makes the "limited time" of copyright to actually become forever.
Excerpt from the above:
After the act passed, Eric Eldred, an internet publisher who specialized in putting out-of-print books online, sued the government. He argued that the 20-year extension violated the Constitution’s "Copyright Clause," which says copyrights must be for "limited Times".
The Argument: Eldred’s team, led by Stanford professor Lawrence Lessig, argued that if Congress could keep extending copyrights every time they were about to expire, the "limited" time would effectively become forever.
The Ruling: In a 7-2 decision, the Supreme Court upheld the law. Justice Ruth Bader Ginsburg wrote that "limited" doesn't mean "forever fixed"—it just means there has to be an end date, even if Congress moves that date.
